Archive for the ‘Comic Books’ Category

The Comic Book Code Authority

Wednesday, June 24th, 2015

The comic book code authority was formed in 1954 because people believed that the comic book industry was becoming too graphic and violent. The content was deemed inappropriate for the populace. Some of the restrictions included the misrepresentation of the police, judges and governmental representatives. In addition, the drawings of vampires and werewolves were prohibited. Titles could not use terminology like “horror” or “terror”.

While the comic book authority had no legal jurisdiction over the comic book publishers, they yielded a large influence. Some comic book companies went out of business while others prospered. The restrictions placed were meant to help society deal with the comic book industry. Society began to loosen some of the taboos of that time, and the furor over the language suggested that the loosened traits needed to be reined in. In such times, it becomes necessary to look at why the comic book code authority was set up. In 1954, McCarthyism was at its peak. Censorship abounded and the who, what, why, where and when all dealt with Communism. A natural branch with that scenario was the printed material. While there are no direct links to such a statement, one must consider what was transpiring during the period. Celebrities were blacklisted if deemed
outside of conventional standards. Comic books could have linked the publisher with Communist propaganda if the material was considered subversive in nature. Again, this is conjecture on my part. Any words or statements can be intentionally misconstrued and false analogies can be applied.

Another prominent explanation is a book written by Dr. Frederic Wertham entitled ‘The seduction of the innocent’. In the book, Dr. Wertham espoused that the super hero genre had helped incite the rise of young people’s misbehavior. The public chorus of disapproval was pivotal in the implementation of the comic book code authority. Both issues helped sustain the need for something to be done.

Those of you not familiar with the latest on Comic Books now have at least a basic understanding. But there’s more to come.

The mentality was in place until the 1960’s with the advent of the flower child era. Without the suppression, underground comics took on a life of their own. They developed comic books that were distributed through unconventional means. That process enabled the fledging comic book industry not to adhere to the restrictions the comic book code suggested. In 1971 Stan Lee, the editor- in -chief did a three part mini series of Spiderman that depicted banned drug use. The code stated that the topic of drug use was prohibited, so Stan Lee took the seal off for the three issues and then put it back on. That took a lot of courage to defy the code. Considering the wide spread use of illicit drug use, that was an important step. If a topic that is controversial is banned in comic books, then how do you draw attention to its negative side affects? That was the quandary the comic book code authority faced. It did not want to become irrelevant.

In the 2000’s the influence of the comic book code started to diminish. More and more publishers wanted to branch out and create comic books that illustrated topics that were more controversial.

The comic book code authority of today is not what it used to be. Marvel comics no longer align themselves. Instead, they created their own code. Some of DC comics still submit to the comic book authority, but will publish it despite their ruling. Archie comics regularly send their comic books to the comic book authority for approval.

What was once a powerful and prominent organization has been reduced to a minor player in the comic book world.

The day will come when you can use something you read about here to have a beneficial impact. Then you’ll be glad you took the time to learn more about Comic Books.

About the Author
By Anders Eriksson, now offering the best guide on movie downloads over at free movie downloads

The Bronze Age of Comic Books

Monday, June 22nd, 2015

In today’s world, it seems that almost any topic is open for debate. While I was gathering facts for this article, I was quite surprised to find some of the issues I thought were settled are actually still being openly discussed.

The bronze age of comic books is generally considered from the early 1970’s to the mid 1980’s in the American culture. This period saw a continuance from the silver age. However, during this time the comic book publishers were introducing a darkening of plots with more adult themes.

One of the most central events that characterized the darkness inception was the death of Gwen Stacy. She was Peter Parker’s long time girlfriend. For the first time in comic books, the arch- villain (in this case The Green Goblin) took a life. Gwen Stacy epitome was cut short. Now the public knew that realism in the comic book world had taken a bold new course. Never again would the comic book world be the same. That occurrence underscored the end of one era and the beginning of another.

The mature content was a wake up call. Comic books once again took on social issues.

You can see that there’s practical value in learning more about Comic Books. Can you think of ways to apply what’s been covered so far?

The social problems were dealt with the appearance of minority comic book heroes. The heroes for hire co-starring Luke Cage embodied the industries intent on implementing African-Americans despite condemnation claiming he was just another ethnic typecast. Prior to Luke’s entrance, the Black Panther and Falcon were a staple in the comic book world. Both the Black Panther and the Falcon were more resistant to the social outcry of Luke Cage. Perhaps it was because there were no stereotypical portrayals within their respective comic books.

Another important addition, lending the credence of minorities in comic books, were the X-Men. Humanity was shown to be prejudiced against the X-Men because they were mutants. Apparently, the next step in human evolution was hard to swallow in the Marvel comic book universe. When people do not understand something, or are in fear of it, then they rebel. The representation of X-Men seemed analogous to the minority concerns. On a collective scale, the issues surrounding the X-Men portend a shift in the perception of the human race. If civilization cannot handle, or accept the mutants as they are, then how are we, as a whole, able to accept minorities? The bronze age of comic books addressed those concerns, and others, with realism (as far as realism can be attained within that context). On an individual level, people were not accepting of the X-men. They feared what they could not comprehend. When that transpires then fear turns to rage then to violence. Violence usually ensues when ignorance runs rampant. The analogy of the X-men to minorities is a first-rate one. The prejudices faced by both the X-Men and minorities may have taken different paths but the result is the same. The Bronze Age of Comic books helped define what America was thinking at the time.

The end of the Bronze Age of comic books is littered with speculation. Some suggest that the “Crisis On Infinite Earths” was the beginning of the end, but there is no definitive proof. Other people claim that the Bronze Age of comic books never really left and that it continues with the dawn of the Modern Age of comics. By either account, the Bronze Age of comic books was an important one where social change took place on more than front.

If you’ve picked some pointers about Comic Books that you can put into action, then by all means, do so. You won’t really be able to gain any benefits from your new knowledge if you don’t use it.

About the Author
By Anders Eriksson, now offering the best guide on movie downloads over at free movie downloads

The Silver Age of Comic Books

Friday, June 19th, 2015

The silver age of comic books lasted approximately from the late 1950’s to the early 1970’s. During this period, a few attributes of comic book characters started to develop.

One of the most interesting developments was the incorporation of science fiction into the storylines. With science fiction at the helm, you could inject a myriad of stories. The stretching of known boundaries put a new spin on tales. Whereas, the scenes usually took place with normal circumstances, now the writer’s and artists were given free rein. The lack of limitations produced many out of the ordinary comic books. In the silver age of comic books, Batman and Robin could be placed anywhere where they were not confined to earth. I mention the two since they are not super powered.

The comic book companies took ordinary, though highly skilled, super heroes and could place them is rockets, visit alien worlds and fight for the good no matter what type of society there was. This brings an interesting thought. The societies in other worlds clearly had good people versus bad people. In the silver age of comic books, they took human traits and manifested them in aliens. There will always be good and evil, that is a given. The aliens had special abilities that transcended humans, but they were perpetually war-like. Conflict must arise in order for the super heroes to justify their existence.

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Metamorphoses abounded in that era. With the fusion of science fiction into the comic book format, super heroes and villains could be transformed, or mutated, much more easily. The weapons in use were foreign and that could make even Superman pause.

The conflictive nature spread beyond the science fiction realm. During this era, the comic book publishers began to integrate more humanity into their characters. They were not necessarily robotic in their mannerism and emotional appeal, but the humanizing of the comic book heroes suggested a transformation had taken place. It took internalized personal melancholy to rise to the surface and manifest itself to create a more human character. A hero or arch villain could be produced dependent upon the character’s personality. As with any conflict situation, the reader had to be enthralled with the super hero. Could a person relate to what the comic book writer’s were hoping to convey? You have to remember adding human emotion and personal tragedies was new to the genre. The reaction was positive and that tradition continues to this day.

In the comic books of that age, another character was transformed. Aquaman began in the golden age and revamped in the late 1950’s. Originally, Aquaman was deemed a negligible super hero, but as the silver age took root, his role expounded. The personal conflict surfaced when it was revealed that his arch nemesis was his half brother called Ocean Master. Another attribute that changed for Aquaman during the silver age was his ability to live outside water changed from being able to live inside or outside water indefinitely, to him needing to get to water every hour.

All the changes that took place in the Silver age comic books represented a modification that society dictated. The alterations are a necessary step to keep the comic book industry relevant.

As your knowledge about Comic Books continues to grow, you will begin to see how Comic Books fits into the overall scheme of things. Knowing how something relates to the rest of the world is important too.

About the Author
By Kenneth Allan Crosby jr,feel free to visit his top ranked recycling site: recycling, tips, history

Social issues in comic books

Thursday, June 18th, 2015

The following article covers a topic that has recently moved to center stage–at least it seems that way. If you’ve been thinking you need to know more about it, here’s your opportunity.

One of the primer changes in comic books today is that they address social issues. Social issues in comic books became prevalent in the last thirty-five years. The revamping occurred when society decided to address social concerns. Some of the comic books of today tackle homelessness, drug use, minorities, gayness and the homophobic consequences.

It is important to note that such a slant toward portions of society in comic books make people conscious of alternate ways of living. The concept of homelessness has always been in the forefront of humanity but never depicted in comic books. The idea of comic books portraying people living in the streets or in some other seemingly derogatory means should not escape notice. Civilization is growing up, albeit more slowly than what is needed. Comic books reflect what emerges through an underground current and washes into mainstream. Those changes happened slowly, but with the advent of controversial issues being tackled, the changes are happening at an accelerated pace. Today comic books mirror what society is thinking. If an issue becomes germane to warrant people’s attention, then the comic book industry will usually incorporate it into their storylines.

An additional important element to consider in comic books is the rampant drug use. If a person is a drug user, the comic book industry takes notice. The prevailing notion is if it affects society, then it should affect how the comic books echo modern day life. Drug use is widespread and needs to be dealt with. What better way than to integrate it into a comic book. Let the superhero, the villain, or an ordinary citizen have a drug problem and see how the issue is handled. Not all resolutions are handled correctly and that is the realism that makes social issues in comic books important. Not even the good guys come out ahead all the time.

If you base what you do on inaccurate information, you might be unpleasantly surprised by the consequences. Make sure you get the whole Comic Books story from informed sources.

The homelessness and the drug usage are modern day blights. The topic of minorities is dealt with realistic implications. By the same token illegal aliens are minorities and they take great pains to make our culture sensitive to both their plights. In a sense comic books are our watch dogs of our way of life.

Moreover, the concept of homosexuality in comic books has had their share of controversy since the public’s perception is skewed by the theological mindset. The topic is mentioned, but the comic book industry has treaded lightly since a backlash could crop up. Despite the long held view that controversial views should not be addressed in a public format, and best left at home, a new prevailing thought has emerged. The comic books of today take torrid subject matters, encase them in a comic book format, then let the paying public decide if their gamble paid off. The result is a new significant way of looking at public perceptions and gain insight to a varying way of looking at those issues.

The comic book industry realizes the customer is the real hero. They can decide whether a character lives or dies. By giving the characters depth and exposing them to real life dangers, the comic book industry can be assured on continual readership.

About the Author
By Anders Eriksson, now offering the best guide on movie downloads over at free movie downloads

The Ever-Changing Powers of Comic Book Heroes

Thursday, June 18th, 2015

From time to time a change, in one or more comic book hero’s powers, occurs. There can be a multitude of reasons behind this. Has the comic book hero become stagnant? Has the readership declined over the past several months? Did a metamorphosis happen while fighting? Did a depletion of their power make room for the change? And, of course, the ever popular experimentation. A mad scientist creates an experiment, an ordinary individual gets in the way, and his or her DNA is altered. He or she is then morphed into a super hero or a criminal based upon their disposition. Another version to that is a comic book super hero or villain get in the way of an unsolicited experiment that went awry.

Their molecular structure is mutated, which begs some questions. Does an ordinary citizen received powers? Do the super heroes or villain’s powers stay the same? Do they exhibit the same powers, only augmented? Do their powers change until it is unrecognizable from the original? Is the change a temporary one, or is it a long-term modification? Will their powers ever go back to normal? These issues are explored and examined, sometimes in minute detail.

The details that go into explaining the ever-changing powers of comic book heroes are appealing. In the framework of comic books, where fantasy merges with the imagination, the predicaments in which precipitates the change of the powers suggests that the storyline was born, bred and raised for sometime.

Most of this information comes straight from the Comic Books pros. Careful reading to the end virtually guarantees that you’ll know what they know.

Superman’s powers changed him into two separated beings. One being was red and the other being blue. Each one was a separate hero who displayed different characteristics. They eventually combined and recreated the Superman we are familiar with and love. The account took one year. The semantics behind the change suggested superman needed revamping.
The mighty Thor has seen his share of transformations. He possessed the Odin power for a while. Thor has his share of problems, and will continue to so because the readership can relate to his problems or vices. With Superman’s changes, the reader is confronted with Superman’s problems and can debate the best way to handle them.

Many more comic book heroes have had their power altered in some way. It seems to be a staple in the comic book world. Amending a super hero is necessary in that type of environment. Introducing nemesis’s and other comic book heroes perpetuates the genre. Moreover, if there were no further introduction of contrasting characters, the storylines would fizzle up and new ideas could not germinate. It is therefore sometimes essential to introduce old comic book characters with a twist. They can come back from the dead, or believed to be dead, and emerge to take on a criminal. It has to make some semblance to the discerning comic book reader. If the hero returns under circumstances that would seem suspect, the public response would be swift and ruthless. People expect some sense in the comic book world.

The ever-changing power of comic book heroes advocates a winning attitude for the comic book reader and the people who create them. When the two parties are in unison both sides win and the reader is left with a palpable appetite for more.

About the Author
By Anders Eriksson, proud owner of this top ranked web hosting reseller site: GVO Hosting

The Golden Age of Comic Books

Monday, June 15th, 2015

When you’re learning about something new, it’s easy to feel overwhelmed by the sheer amount of relevant information available. This informative article should help you focus on the central points.

By and large, the accepted time frame for the golden age of comic books ran from a period from the 1930’s through the mid-1950’s. It was a prosperous time for the American comic book realm. Many of today’s super heroes were inaugurated during this stage. Super heroes flourished in the golden age of comic books. Superman, Green Lantern, Wonder Woman, Batman, Robin and Hawkman were some of the heroes that a new company called Detective Comics or DC comics, launched. During the 1940’s a precursor to Marvel Comics, called Timely Comics, introduced their version of the super hero genre. They included Captain America, The Human Torch and The Sub-Mariner. Ironically, the Captain Marvel comic books from Fawcett Comics outsold Superman and his associates during the golden age. There were literally hundreds of super powered and non super powered heroes that came and went.

The advent of world war two helped propel the comic book industries popularity. It was an inexpensive means to relax, read and imagine the good guys prevail over the bad guys. In those days, Superman regularly helped the allies thwart Hitler and the axis powers. What better way to defeat the enemy than to watch the heroes in action? Defeating Hitler was on everyone’s mind, and the stress relief comic books provided was helpful to a young man in a foreign land engaged in daily battles.
Superman, Batman and Robin helped the war effort by advertising war bonds. Uncle Sam may have wanted you, but the super heroes lending themselves to the war propaganda helped the cause. Which one was more influential in the golden age of comic books: a sickly looking old man who wanted you to fight, or young powerful super heroes that could do incredible damage to the enemy? The answer is evident.

Most of this information comes straight from the Comic Books pros. Careful reading to the end virtually guarantees that you’ll know what they know.

The war was significant and powerful in the development of the super heroes during the golden age. However, there were other factors too. There were comic books during that period that were not based on super heroes. The genre started to change during the latter part of the golden age, especially after World War Two. Westerns were taking firm root in society as the readership declined for the super heroes. Horror, romance, satire and science fiction all filled the vacuum that was left during the decline. The downward trend was precipitated by, in my opinion, the ambiance of the times with McCarthyism and books being published that suggested comic books and their ilk were detrimental to the society’s young people minds.
The introduction of the funny comics during the golden age were well-liked too.

Bugs bunny and Donald duck premiered. The funny comics instilled laughter in the audience and that was important. The importance of laughter during stressful times cannot be overstated. The atmosphere was rife with the arrival of the cold war and the atomic age. Bomb shelters littered the country. With that being said, the funny comic books helped people express amusement in their daily routine.

Whatever genre people chose to read, the Golden Age of comic books influenced the shaping the comic book market.

About the Author
By Anders Eriksson, now offering the best guide on movie downloads over at free movie downloads

The Modern Age of Comic Books

Saturday, June 13th, 2015

Have you ever wondered if what you know about Comic Books is accurate? Consider the following paragraphs and compare what you know to the latest info on Comic Books.

The Modern Age of American comic books of is thought to be between the mid-1980 until present day. This age saw a continuation of the Bronze Age with a notable exception. The independent comic book publishers grew and rose from obscurity. Some of the more well known people from the two big comic book publishers to independent comic book companies. These include, but are not limited to Pacific, Eclipse and First. Why would someone who had made a name for themselves change companies? In independent comic books, the writers had more freedom of expression. The creativity would have been a prized commodity. No limitations or restraints produce some very interesting comic books. With such freedom, they would be able to personify their works.

Moreover, the waned influence that the Comic Code Authority experienced was a boom to the comic book industry of the Modern Age. Horror stories and science fiction once again became popular. The novels of Conan the Destroyer were put into comic book format with much success. Given the popularity of Conan, other venues showed up. Dracula started making a comeback. Dracula once had an encounter with The Batman. The ability to fuse two genres, horror and super heroes, enabled the comic books to showcased two great characters. Thus, the artistic expressions of the independent comic books were enhanced because the readers had the pleasure of experiencing fine artwork, without the limitations imposed by the other mainstream comic books.

It seems like new information is discovered about something every day. And the topic of Comic Books is no exception. Keep reading to get more fresh news about Comic Books.

The culmination of changes that rippled through the comic book industry created a need for the creation of an anti- super hero. With super heroes and arch villains exploring their dark side, it became apparent that that endeavor needed exploration. The Batman had experienced a metamorphosis that turned him into a darker character. Jason Todd, who was the second incarnation of Robin, died at the hands of the Joker.

Another comic book hero that personified darkness was the Wolverine. From his introduction, Wolverine had a bad attitude. He was the quintessential anti-hero. He was a super hero who helped people in need. However, the darker side held sway. He is a mutant and knows people’s perception. He still does the right thing, albeit sometimes he barely manages to hold his temper in check.

Daredevil typifies a hero who possesses a dark side. The devil costume he wears is supposed to instill fear in criminals. Yet, wearing a devils costume also illustrates his darker side. Indeed, Daredevil’s original costume was yellow and it would be a stretch to see any significance germane to his other half. Another attribute that casts him in the category of anti-hero is his blindness. He knows he is different from the rest of society with his amplification of hearing, smelling, tasting and “seeing”. Daredevil still maintains a resolute personality, a key ingredient in any super hero.
The Modern Age of Comic Books inception is hard to pinpoint. It could be a continuation of the Bronze Age with minor changes, or it could be an entity by itself. What matters most is the comic book industry continues to evolve and create make believe characters and make them believable.

About the Author
By Anders Eriksson, now offering the best guide on movie downloads over at free movie downloads

Heroes And Villains In Comic Books

Saturday, June 13th, 2015

Would you like to find out what those-in-the-know have to say about Comic Books? The information in the article below comes straight from well-informed experts with special knowledge about Comic Books.

Heroes and villains in comic books have made their mark in society. Not just in comic books but in literature throughout the ages. Essentially literature and comic books bring to life the drama associated between good and evil, and it is that premise that becomes an indispensable guide to understand human nature.

In a nutshell, you will not know evil if you have never experience goodness. The antithesis holds true. If you never experienced good, you have never experienced evil. In comic books, the heroes and villains try to ante up the stakes by pitting their resources against one another for the sake of besting the other. The heroes usually come out victorious but criminals can be just as successful. If the heroes always won, it would make comic books dull and uninteresting. The villains have to be counted on to cause ruckus and mayhem otherwise; the storyline does not coincide with a balance that must be struck.

Truthfully, the only difference between you and Comic Books experts is time. If you’ll invest a little more time in reading, you’ll be that much nearer to expert status when it comes to Comic Books.

Today’s comic books have smarter criminals, weaponry that is more sophisticated and more behavior that is aggressive. Does this make the hero more steadfast in his or hers reaction to the villains aggressiveness? It depends on the hero. You do not have to possess superhuman powers to outsmart a villain. In today’s comic books, a hero can employ a great deal of cunning to outsmart a villain. The comic books of today offer a recipe for the balance of power.

A villain usually takes on a key role and if the hero does not thwart the diabolical plan, the hero may lose confidence. In that vein, the comic book looks at the human condition. Why was there failure? What could have prevented the villain from escaping? With the loss of self-belief, the hero of the comic book must take necessary steps to assure success or the villain, sensing something amiss with the good guy, can utilize plans that are even more ambitious. With the balance askew for the time being, the hero must reassert his or her authority to impede the villains plan. The hero does not have to be in the superhero genre. It could be any comic book that pertains to the right or wrong in making a decision.

Heroes and villains in comic books enable the reader to make choices, and within that framework, can get a better understanding of what both the villain and the hero had to do to succeed. However, success is only a temporary distraction. It permits a continuation of the story. So then, who is really the victor and the loser? If both hero and the villain continually face off against one another, where and when will it end? Quite possibly nothing short of the demise of one or the both of them. Perhaps the villain may go to jail, but eventually he or she will be released and the comic books prevail. There is clearly no winner or loser. The only winner will be found out in the next installment. Moreover, the only loser is the person who does not read the next issue.

About the Author
By Anders Eriksson, now offering the best guide on movie downloads over at free movie downloads

Comic Books From Around the World

Monday, June 8th, 2015

The following article covers a topic that has recently moved to center stage–at least it seems that way. If you’ve been thinking you need to know more about it, here’s your opportunity.

There are a vast number of comic books to choose since their inception. When someone thinks about comic books, they think of everyday comics and their heroes in this country.

However, comic books do not always come from the United States. The vast majority of the world has comic books. The European Union houses copious amounts of comic books. France, British, Italy are just some of the different nations that partake.
France has had comic books for a long time. The comic book author generally decides when the next installment comes out. Since it is the discretion of the author, he or she may take months or even years for the next issue to be published. The audience does not seem to be bothered with waiting. If it is the will of the author, so be it. The amount of comic books that are produced from France is significant comparatively to the populace, which would indicate that it is a popular form of entertainment. If there are many authors to choose from, then this lends to the idea of people not caring how long it takes to buy the next installment. The reader can buy a different title from a different author.

The British comic books are not as well know as their American counterpart. One of the more popular comic books that hailed from Britain was the Judge Dredd series brought to life by Sylvester Stallone. Although it brought to light a comic book character from Britain, most people did not know it originated from there. Marvel comics opened up an office in Britain in 1972. DC and Dark Horse comics did not open up offices there until the 1990’s. It seems the English enjoy our comic book heroes as well as we do.

If your Comic Books facts are out-of-date, how will that affect your actions and decisions? Make certain you don’t let important Comic Books information slip by you.

Italian comic books are strongly influenced by other countries. They prefer more adventure like stories that tell tales. Unlike America, where once a week you can find a new edition, Italian comic books come out monthly and are usually longer in length. The Italian comic book publishers immensely enjoy Walt Disney characters. They are the largest manufacturers of Walt Disney figures, other than the United States.

The Japanese also love comic books. In Japan, they are referred to as Magna. They are known for their exaggerated facial features, which were inspired by American authors. Japan had requested help from comic book artists from America to go over to learn contours, shapes and colors to help revise their comic books. The result was the exponential growth of comic books.

It appears that America has a big influence of comic books from around the world. The result implies that everyone, no matter where you reside, wants a form of pictorial entertainment. The pursuit of amusement with a glossy cover, colored pages depicting figures that face immeasurable odds, only enhance the benefit of reading comic books. The world needs a release, and through the sequential formats they provide, there will be a never-ending deluge of comic books to read. America is not alone in its need to escape and absorb into a fantasy-based comic book.

About the Author
By Anders Eriksson, proud owner of this top ranked web hosting reseller site: GVO Hosting

Comic Books And The Movies

Thursday, May 21st, 2015

So what is Comic Books really all about? The following report includes some fascinating information about Comic Books–info you can use, not just the old stuff they used to tell you.

The movie industry is abuzz with comic books being adapted to the full screen. Not only is it profitable for Hollywood to produce comic book characters, but for the comic book industry too. There have been low budget movies and television series based on the more popular comic books. Usually the low budget movies do not fare well.

The blockbuster comic book movies usually use well-known actors and the difference between the low budget movies and the high-end movies are palpable.

The television industry has had a love affair with comic book heroes for generations. The old serial shorts showed a popular comic book hero. The special affects were limited with the era but it introduced the character into the mainstream.
The advent of radio-helped pave the way for the comic books to hit the ordinary folk that would never had the exposure to them.

I trust that what you’ve read so far has been informative. The following section should go a long way toward clearing up any uncertainty that may remain.

As time advanced so did the technology and the special effects. Certain comic book super heroes needed to employ certain feats to appear to fly and see through walls. Wires were strung on the costumes, and hoisted in the air to appear to defy gravity. Boulders that were huge in size were actually made of paper. All kinds of primitive devices were used to entertain us. And entertain they did. The advances in the special effects department gave Hollywood its first glimpse into a lucrative enterprise. In 1978 the first big blockbuster came onto the scene and the movie industry was taken aback at the amount of money that was made. The comic book industry took notice to and continued with three more sequels that never matched the first one. In 1989 Batman came out and it was an instant success. Jack Nicholson portyrayed the Joker with fervent appeal and was the only actor, at the time, to receive a share of the profits.

There have been a few Batman movies and each successive one had better special effects. The comic books had finally come into majority of the households. The Hulk, the Fantastic Four and the Silver Surfer, Spiderman, The Punisher, and soon to be released Iron Man.

With so man famous comic books hitting the big screen, the relationship between the movie industry and the comic book business have cemented. Obviously, it benefits both parties. The movie empire can be assured on profits, especially if word of mouth is positive. Nothing can sink a movies fortune than a negative response from people. I am not referring to the critics. Ordinary people who spend their hard earned money are more influential than the critics. It helps the comic book domain by getting more and more people exposed to their comic book heroes and villains. Thus, people who normally would not read comic books could be persuaded to buy some.

Comic books and the movies enjoy a relationship that has endured for a long time. Each successive generation will be able to watch new movies with different comic book characters. And each one will bring about changes in how the movies are made and the special effects they use.

So now you know a little bit about Comic Books. Even if you don’t know everything, you’ve done something worthwhile: you’ve expanded your knowledge.

About the Author
By Anders Eriksson, proud owner of this top ranked web hosting reseller site: GVO Hosting